Theology, Music, and Modernity

Struggles for Freedom

Reddit icon
e-mail icon
Twitter icon
Facebook icon
Google icon
LinkedIn icon
Editor(s): 
Jeremy Begbie, Daniel K L Chua, Markus Rathey
  • Oxford: 
    Oxford University Press
    , March
     2021.
     400 pages.
     $115.00.
     Hardcover.
    ISBN
    9780198846550.
     For other formats: Link to Publisher's Website.

Description

Theology, Music, and Modernity addresses the question: how can the study of music contribute to a theological reading of modernity? It has grown out of the conviction that music has often been ignored in narrations of modernity's theological struggles. Featuring contributions from an international team of distinguished theologians, musicologists, and music theorists, the volume shows how music--and discourse about music--has remarkable powers to bring to light the theological currents that have shaped modern culture. It focuses on the concept of freedom, concentrating on the years 1740-1850, a period when freedom--especially religious and political freedom-became a burning matter of concern in virtually every stratum of Western society.

The collection is divided into four sections, each section focusing on a key phenomenon of this period--the rise of the concept of 'revolutionary' freedom; the move of music from church to concert hall; the cry for eschatological justice in the work of black hymn-writer and church leader Richard Allen; and the often fierce tensions between music and language. There is a particular concern to draw on a distinctively 'Scriptural imagination' (especially the theme of New Creation) in order to elicit the key issues at stake, and to suggest constructive ways forward for a contemporary Christian theological engagement with the legacies of modernity today.

About the Author(s)/Editor(s)/Translator(s): 

Jeremy Begbie is Thomas A. Langford Distinguished Professor of Theology at Duke University.

Daniel K. L. Chua is Mr. and Mrs. Hung Hing-Ying Professor in the Arts and Professor of Music at the University of Hong Kong.

Markus Rathey is Robert S. Tangeman Professor in the Practice of Music History at Yale University.

Categories: 

Comments

Reading Religion welcomes comments from AAR members, and you may leave a comment below by logging in with your AAR Member ID and password. Please read our policy on commenting.