Defiant Indigeneity

The Politics of Hawaiian Performance

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Stephanie Nohelani Teves
Critical Indigenetities
  • Durham, NC: 
    University of North Carolina Press
    , April
     2018.
     240 pages.
     $29.95.
    ISBN
    9781469640556.
     For other formats: Link to Publisher's Website.
Review coming soon!

Review by Greg Johnson forthcoming.

Description

"Aloha" is at once the most significant and the most misunderstood word in the Indigenous Hawaiian lexicon. For Kānaka Maoli people, the concept of "aloha" is a representation and articulation of their identity, despite its misappropriation and commandeering by non-Native audiences in the form of things like the "hula girl" of popular culture. Considering the way aloha is embodied, performed, and interpreted in Native Hawaiian literature, music, plays, dance, drag performance, and even ghost tours from the twentieth century to the present, Stephanie Nohelani Teves shows that misunderstanding of the concept by non-Native audiences has not prevented the Kānaka Maoli from using it to create and empower community and articulate its distinct Indigenous meaning.

While Native Hawaiian artists, activists, scholars, and other performers have labored to educate diverse publics about the complexity of Indigenous Hawaiian identity, ongoing acts of violence against Indigenous communities have undermined these efforts. In this multidisciplinary work, Teves argues that Indigenous peoples must continue to embrace the performance of their identities in the face of this violence in order to challenge settler-colonialism and its efforts to contain and commodify Hawaiian Indigeneity.

About the Author(s)/Editor(s)/Translator(s): 

Stephanie Nohelani Teves is Assistant Professor of Ethnic Studies and Women's, Gender, and Sexuality Studies at the University of Oregon.

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